Colloquium: Indigenous Futures: Oaxaqueñx Youth Encuentro and New Voices in the California Central Valley by Nancy Morales

Colloquium: Indigenous Futures: Oaxaqueñx Youth Encuentro and New Voices in the California Central Valley by Nancy Morales

by Keith Miyake Events

Join the Ethnic Studies Department for our colloquium speaker series:

“Indigenous Futures: Oaxaqueñx Youth Encuentro and New Voices in the California Central Valley”

By Nancy Morales

Monday, December 2, 1:00–2:00 pm in INTN 3023

Based on a five-year Native ethnography with participant observation of fifteen Oaxaqueñx Youth Encuentro events, and twenty-four interviews with 1.5 (U.S.-raised) and second generations (U.S.-born) of Mixtec and Zapotec women and queer youth, Morales argues for more expansive definitions of Indigenous governance, such as tequio (community labor) to account for the political participation of Indigenous women and Indigiqueer youth that challenge static nationalist notions of Indigeneity.

Nancy Morales is an Indigenous (Zapotec) feminist scholar-activist and Native ethnographer. She earned her Ph.D. from the Department of Feminist Studies at UC Santa Barbara in June 2023 and is a UC President’s Postdoctoral Fellow in the Department of Anthropology at UC Santa Cruz. She is currently working on a short documentary and book manuscript, Oaxacan Pride: Women and Indigiqueer Youth’s Struggles for Sovereignty.

You can download a PDF flyer here.

Recent and Upcoming Art Shows featuring Prof. Gerald Clarke

Recent and Upcoming Art Shows featuring Prof. Gerald Clarke

by Keith Miyake Events Faculty News

2024 has been a busy year for Professor Gerald Clarke! Here are some of Professor Clarke’s recent and upcoming shows:

Gerald Clarke: The Door is Open (May 24 – September 1, 2024, Breck Create, Breckenridge, CO)

Desert Forest: Life with Joshua Trees (September 7 – December 29, 2024, Museum of Art and History, Lancaster, CA)

Fire Kinship: Southern California Native Ecology and Art (January 12 – July 13, 2025, PST ART, Fowler Museum at UCLA, Los Angeles, CA)

 

Professor Clarke will also be giving a lecture in October:

Portland Monuments Project Symposium (October 11 – 12, 2024, Converge 45, Portland, OR)

 

Prof. Clarke’s Artist Statement (via Breck Create)

I aspire not to romanticize the subjects or content of my work. I strive to “keep it real” and have found that my best works are inspired by my personal experiences. Beer cans, branding irons, and gourd rattles represent aspects of my reality. These materials reflect who I am and not how the mainstream might understand the contemporary Native American experience. They represent my community as well: a community that struggles with various issues but that also laughs, loves, and continues to evolve.

While my work may not appear “traditional,” it is part of a continuation of creative responses to the world that the Cahuilla have exercised since ancient times. I believe the strict adherence to traditional materials and authentic forms has been forced onto Indigenous expression by Euro-American belief systems that view art and culture through a monetary lens. The result is a narrow conception of Native American art that imposes an eighteenth-century aesthetic and transforms it into a commodity.

As you view my work, I ask that you do not simply compare or contrast it to “traditional Native American art,” but that you understand my work exists within a spectrum of Indigenous expression that is simultaneously ancient and contemporary. I’m proud and humbled to contribute to the Indigenous Intellectual Tradition. I am not simply a contemporary artist that happens to be Indian. I am a Native American artist. I am a Cahuilla artist.