Joan Mitchell Foundation Announces the  2025 Joan Mitchell Fellows, Including Prof. Gerald Clarke

Joan Mitchell Foundation Announces the 2025 Joan Mitchell Fellows, Including Prof. Gerald Clarke

Faculty News

Fifteen US-based artists will each receive $60,000 over the five-year span of the program, which also provides learning, peer engagement, and network-building opportunities.

NEW YORK, NY – August 13, 2025 – The Joan Mitchell Foundation is pleased to announce the recipients of the 2025 Joan Mitchell Fellowships: 15 US-based artists working in the evolving fields of painting and sculpture. The artists, who hail from 11 states and range in age from 30 to 74, will each receive $60,000 in direct funding, distributed over five years alongside professional development, peer engagement, and network-building programs. This year’s Fellows announcement coincides with the Foundation’s year-long celebration of Joan Mitchell’s centennial year and a major exhibition, on view for the month of August, marking 10 years of the Joan Mitchell Center residency program in New Orleans. The Fellowship awards represent a $900,000 monetary commitment to the 15 artists, augmented by more than $400,000 in non-monetary services offered over the five years of the program.

The 2025 Joan Mitchell Fellows are:
Gerald Clarke, Anza, CA
Cathy Della Lucia, Boston, MA
Bob Dilworth, Providence, RI
Nancy Friedemann-Sánchez, Lincoln, NE
Sahar Khoury, Oakland, CA
Sammy Seung-min Lee, Denver, CO
Brenda Mallory, Portland, OR
Suchitra Mattai, Los Angeles, CA
Troy Montes Michie, Los Angeles, CA
Sara Rahbar, Great Neck, NY
Eric-Paul Riege, Gallup, NM
Juvana Soliven, Honolulu, HI
Linda Rotua Sormin, New York, NY
Lan Tuazon, Chicago, IL
Anthony White, Seattle, WA

 

Gerald Clarke (b. 1967, lives in Anza, CA), an enrolled citizen of the Cahuilla Band of Indians, draws on his community’s everyday experience to create conceptual artworks that exist within a spectrum of Indigenous expression that is simultaneously ancient and contemporary.

Read the full press release here.

Recent and Upcoming Art Shows featuring Prof. Gerald Clarke

Recent and Upcoming Art Shows featuring Prof. Gerald Clarke

Events Faculty News

2024 has been a busy year for Professor Gerald Clarke! Here are some of Professor Clarke’s recent and upcoming shows:

Gerald Clarke: The Door is Open (May 24 – September 1, 2024, Breck Create, Breckenridge, CO)

Desert Forest: Life with Joshua Trees (September 7 – December 29, 2024, Museum of Art and History, Lancaster, CA)

Fire Kinship: Southern California Native Ecology and Art (January 12 – July 13, 2025, PST ART, Fowler Museum at UCLA, Los Angeles, CA)

 

Professor Clarke will also be giving a lecture in October:

Portland Monuments Project Symposium (October 11 – 12, 2024, Converge 45, Portland, OR)

 

Prof. Clarke’s Artist Statement (via Breck Create)

I aspire not to romanticize the subjects or content of my work. I strive to “keep it real” and have found that my best works are inspired by my personal experiences. Beer cans, branding irons, and gourd rattles represent aspects of my reality. These materials reflect who I am and not how the mainstream might understand the contemporary Native American experience. They represent my community as well: a community that struggles with various issues but that also laughs, loves, and continues to evolve.

While my work may not appear “traditional,” it is part of a continuation of creative responses to the world that the Cahuilla have exercised since ancient times. I believe the strict adherence to traditional materials and authentic forms has been forced onto Indigenous expression by Euro-American belief systems that view art and culture through a monetary lens. The result is a narrow conception of Native American art that imposes an eighteenth-century aesthetic and transforms it into a commodity.

As you view my work, I ask that you do not simply compare or contrast it to “traditional Native American art,” but that you understand my work exists within a spectrum of Indigenous expression that is simultaneously ancient and contemporary. I’m proud and humbled to contribute to the Indigenous Intellectual Tradition. I am not simply a contemporary artist that happens to be Indian. I am a Native American artist. I am a Cahuilla artist.